Today is World Book Day, founded by UNESCO, but celebrated in the U.K. in March. 
Ironic if you watched yesterday’s video, The History of English :-)
And, being a writer who blogs five days a week about Reading, Writing, and Publishing, World Book Day makes me think about writing more than reading…
I’ve certainly had lots of posts here on Writing Advice and I’ve certainly warned “new” writers to take any advice with a large amount of salt—not just a grain :-) — since, “The Latin word salis means both ‘salt’ and ‘wit’, so that the Latin phrase ‘cum grano salis’ could be translated as both ‘with a grain of salt’ and ‘with a grain (small amount) of wit’.”
So, to add to the irony and to honor a literary critic who committed suicide in Portbou at the French–Spanish border while attempting to escape from the Nazis, I give you THE WRITER’S TECHNIQUE IN THIRTEEN THESES by Walter Benjamin.
Take them with wit and deep consideration—if they can work for you, use them, if they seem wrong, write until you have found your own “rules” :-)
1. Anyone intending to embark on a major work should be lenient with himself and, having completed a stint, deny himself nothing that will not prejudice the next.
2. Talk about what you have written, by all means, but do not read from it while the work is in progress. Every gratification procured in this way will slacken your tempo. If this regime is followed, the growing desire to communicate will become in the end a motor for completion.
3. In your working conditions avoid everyday mediocrity. Semi-relaxation, to a background of insipid sounds, is degrading. On the other hand, accompaniment by an etude or a cacophony of voices can become as significant for work as the perceptible silence of the night. If the latter sharpens the inner ear, the former acts as a touchstone for a diction ample enough to bury even the most wayward sounds.
4. Avoid haphazard writing materials. A pedantic adherence to certain papers, pens, inks is beneficial. No luxury, but an abundance of these utensils is indispensable.
5. Let no thought pass incognito, and keep your notebook as strictly as the authorities keep their register of aliens.
6. Keep your pen aloof from inspiration, which it will then attract with magnetic power. The more circumspectly you delay writing down an idea, the more maturely developed it will be on surrendering itself. Speech conquers thought, but writing commands it.
7. Never stop writing because you have run out of ideas. Literary honour requires that one break off only at an appointed moment (a mealtime, a meeting) or at the end of the work.
8. Fill the lacunae of inspiration by tidily copying out what is already written. Intuition will awaken in the process.
9. Nulla dies sine linea [‘No day without a line’] — but there may well be weeks.
10. Consider no work perfect over which you have not once sat from evening to broad daylight.
11. Do not write the conclusion of a work in your familiar study. You would not find the necessary courage there.
12. Stages of composition: idea — style — writing. The value of the fair copy is that in producing it you confine attention to calligraphy. The idea kills inspiration, style fetters the idea, writing pays off style.
13. The work is the death mask of its conception.
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