Notes from An Alien

~ Explorations In Writing { and reading and publishing } ~

Tag Archives: publishing

How Could #Bitcoin and #Publishing Be Alike…?


blockchain and publishing Fair warning:

Today’s post is probably only for geeks who live on the bleeding-edge…

Or, those striving for that lifestyle…

Plus, I don’t fully understand what I’m sharing

It starts with an article on Publishing PerspectivesBlockchain and Potential Implications for International Book Publishing

It continues with an article on the Alliance of Independent Authors site—Blockchain for Books

I’ll share excerpts from the articles; and, rather than urge all readers to go check out the full articles, perhaps I’m only urging the bravest amongst you

First, a definition (from the Alliance of Independent Authors article) of the key concept behind Bitcoin, Blockchain, which is what’s being touted as an amazing tool for publishing:

Blockchain is a continuously growing list of records, called blocks, which are linked and secured.

Unlike HTML, blockchain allows one person to transfer a unique piece of digital property to another in a way that 1) is guaranteed safe and secure; 2) open, visible and agreed by all; and 3) cannot be subsequently modified.

Next, an excerpt from the Publishing Perspectives article that lists what the Alliance of Independent Authors feels are the qualities of Publishing that Blockchain will impact:

“Copyright, which ALLi suggests can be superceded by blockchain, making ‘ownership indisputable’

“Smart publishing contracts, that will use automation to ‘simultaneously represent ownership of an intellectual property and the conditions that come with that ownership’

“Smart author wallets, into which ‘booksellers and wholesalers’ as well as ‘Amazon and other digital platforms and trade publishers’ will make author payments, as will readers who will ‘make micropayments for a single article, small video, or podcast episode’

“Privacy controls, in which ALLi’s interest is in its members’ ability to ‘forward a book, directly from author to reader, without any middle man, freely or for Bitcoin exchange’

Anyone who has understood the previous excerpts should write their own article about Blockchain and Publishing…

btw

The Alliance of Independent Authors‘ article goes into more detail on those last four “benefits” of Blockchain…

And, I should mention that the Publishing Perspectives article is heavy on the benefits to traditional publishing; but, the Alliance of Independent Authors champions self-publishing…

A bit more from Publishing Perspectives:

“It’s easy to see the upside that blockchain technology could have on the publishing industry, and we believe it’s likely that some of this change is going to happen in the medium to long term.”

They then go on to point out potential obstacles to implementing Blockchain…

One last excerpt from Publishing Perspectives, who I believe are clearly a trusted source of information:

“While much of the current hype around blockchain is certainly unfounded, there’s definitely great potential in this model.”

So…

Any readers who’ve gotten this far in the post and feel they understand what Blockchain can do for publishing, do, please, chime in with a Comment :-)
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FREE On-line Course in Self-Publishing & Book Promotion
Even though it may say “Fee”, it Really is FREE :-)

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It’s International Jane Friedman Day !


Jane Friedman Well, actually, it’s not really “International” Jane Friedman Day—just a day on this blog when I’ll share 6 articles by Jane that have accumulated in my Bookmarks. :-)

If you use my handy Top-Tags Widget (down a bit in the left side-bar) and click on her name, you’ll find this post (’cause I’ve tagged it…) and a copious amount of additional posts featuring a woman who’s said, on her About Page:

“I have a special interest in how the digital age is transforming writing careers, publishing, and storytelling. Rather than taking a dark view of how the Internet era has affected writers’ livelihoods, I’m more interested in how revolutionary change can inspire new business models, and how authorship will ultimately evolve. I believe history is on the writers’ side: they’ve been sustaining their careers in ever more innovative ways since the era of Gutenberg. Furthermore, I don’t think that business and art are at odds—I see how they inform and push each other to flourish.”

And, since digital self-publishing is totally transforming so many folks, I lead my sharing with her article entitled, Start Here: How to Self-Publish Your Book, that has a video and these major sections:

1. A Quick History of Self-Publishing
2.The Most Common Ways to Self-Publish Today
3.Self-Publishing: The DIY Approach I Recommend
4.How Ebook Self-Publishing Services Work
5.Creating Ebook Files
6.How to Self-Publish a Print Book
7.Investing in a Print Run: Yes or No?
8.Print-on-Demand Recommendations
9.Maximizing Your Book Sales
10.More Resources

And, in case you self-publish and haven’t really primed the world to receive your book, here’s Jane’s article, So You’re an Author Without a Social Media Presence: Now What?

Then, comes an article entitled, The Advice to Pursue Your Passion: What Does “Passion” Even Mean?, in which Jane explains:

“This is partly why I avoid the word ‘passion’. It is an excellent way to stoke someone’s anxiety….in the current cultural moment, the word has become ever more fraught—it’s tinged with a value judgment, that there’s something wrong if you haven’t discovered your passion and found the way to make it into your career. The capitalist pursuit of passion is the new horrible form of enlightenment we’re told to chase.”

And, to explore a particular “capitalist” passion that has many writers trapped on their own treadmills, I share her desperately needed article, The Pressure to Release More, More, More Titles.

And, to round out those four tool-box articles with two rather specialized topics, here are:

What Is a Hybrid Publisher? and A Writer’s Guide to Permissions and Fair Use.

If you take those links and study those articles, you’ll be further along the learning curve than most aspiring writers…
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Two Publishing Options ~ Two Editing Options . . .


This is the 35th post on this blog that will mention FastPencil publishing-aid company.

editing and publishing

Image Courtesy of Ivan Soares Ferrer ~ http://www.freeimages.com/photographer/ivanferrer-35808

In the past post, FastPencil ~ Funny Name, Dynamite Publishing-Aid Company. I shared this info:

I’ve summarized the FastPencil experience this way:

*Write a book on their site,
while inviting BetaReaders or editors to work with you
—> Free

*Revise, edit, check multiple proofs,
upload a cover, work-out front and back matter, etc.
—> Free

*Publish and have the book distributed to
Amazon, Barnes&Noble, iBooks, Kobo, and Ingram

(Print & E-book editions)
—> $300

As a matter of fact, if you want to sell your book only on the FastPencil Site (with a very cool sales widget you can use on your own WebSite or Blog) it costs just $9.99.

I’ve used FastPencil and I’m very happy with their services; speaking of which, if you don’t have an editor and can’t self-edit, you can pay them more money for that and other services

Or, you could consider other editing options (always making sure you receive samples of the editing anyone does...).

One option is the editing and publishing consultancy, Prosevue Edición.

You can check out their Terms, Conditions, and Policies.

They have Editing Services for Self-Published Books and Articles, Academic and Professional Documents, and International University Applications.

Just to give you an idea of their fees, Fiction Manuscripts of 50,000 words cost $500; but, 100,000 words are only $600

And, if you want another option for publishing, you can consider submitting to  Coffee House Press.

From their Site:

“The mission of Coffee House Press is to publish exciting, vital, and enduring authors of our time; to delight and inspire readers; to contribute to the cultural life of our community; and to enrich our literary heritage. By building on the best traditions of publishing and the book arts, we produce books that celebrate imagination, innovation in the craft of writing, and the many authentic voices of the American experience.”

Coffee House Press is also a good place to look for books that “celebrate imagination, innovation in the craft of writing, and the many authentic voices of the American experience.”; and, if you feel you’ve written such a book, you can contact them:

For general inquiries, you can reach us by email at info@coffeehousepress.org, by phone at (612) 338-0125, or by mail at the following address:

Coffee House Press
79 Thirteenth Avenue NE, Suite 110
Minneapolis, MN 55413

Naturally, there are a huge number of options for editing and publishing (I just thought my readers might find these three interesting…); and, you can begin exploring other options right here

Edit after publication:

Received this tweet from Prosevue Edición:

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Book Fair Bonus Post ~ with Free Downloads :-)


Do you know about the Frankfurt Book FairFrankfurt Book Fair

It was held from 19 to 23 October this year (2016) and will be from 11 to 15 October next year.

It’s a pretty big deal…

Plus, you can Download All 2016 Frankfurt Book Fair Show Daily Magazines !

As they say:

“Our show daily magazines include coverage of the 2016 Frankfurt Book Fair discussions on copyright, freedom to publish, cross-media, rights and more.”

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#Publishing ~ Good and Bad


I’m going to report on three articles today—three views into the workings of today’s Publishing Industry… 

First, David Gaughran‘s piece, How The London Book Fair Helps Vanity Presses Exploit Newbie Authors.

An excerpt:

“The most prestigious event in the UK publishing calendar, the London Book Fair, welcomes predatory operators with open arms, deliberately positions them opposite author events for extra cash, and then helps to whitewash their reputation – even running misleading interviews and puff pieces on its own website to help them get more leads.”

David’s talking about what are called “Vanity Presses”.

They pretend to be regular trade publishers; but, they lure a writer in then attempt to trick them into paying exorbitant fees to publish their book.

This is extremely different from a writer who chooses to pay certain fees for services to help them Self-Publish.

It’s also very different from Traditional Publishing, where the writer (if providentially accepted) pays no fees; in fact, is given a cash advance

Two more excerpts:

“I’m sure many of you are angry about this – and you have every right to be. This is the leading event of the UK publishing industry, and one of the most prestigious in the world. And the London Book Fair is not just allowing these guys to appear, but it’s actively generating leads for exploitative services, and directly engaging in PR efforts on their behalf to make them seem like legitimate publishers.”

“The deeper I dig – five years of this, let me remind you – proves that these guys are central to the industry, and that whole swathes of the publishing establishment is geared towards separating inexperienced writers from their money in incredibly dishonest ways. And we never even talk about it, let alone take action.”

That’s the Dark Side

Now, for Jane Friedman and her article, The Publishing Industry in 2016: A Status Update.

“According to Nielsen Bookscan, for print book sales (primarily traditional publishing sales):

  • During the first quarter of 2016, frontlist adult fiction sales were down by 17% compared to 2015
  • During the second quarter, they were down by 4%
  • First quarter backlist sales were up by 4% compared to the prior year
  • Second quarter backlist sales were up by 9%”

Then, this:

“…the picture became more clear when the biggest New York publishers released their financial results for the first half of 2016—compared to the prior year:

  • Penguin Random House (PRH): sales down 10.7 percent
  • Hachette Book Group USA: sales down 6.6 percent
  • HarperCollins: sales down 2.5 percent
  • Simon & Schuster: sales down 3.5 percent”

One more excerpt:

“For Penguin Random House, the CEO said the shortfall was related to ‘the absence of newly published megasellers’, as well as the  poor performance of ebooks in the United States and UK. Helping make up for the losses: steady print book sales and audiobook sales.”

There’s a lot more in Jane’s article (especially about Amazon…); but, I’ll leave it to the folks who Need To Know to go read both Jane’s and David’s full articles

Finally, there’s an interview between Jane and Joanna PennPublishing Trends In 2016 With Jane Friedman—where Jane talks about “empowerment”; which, to me, clearly means Self-Publishing:

“There is a class of author who I think is more empowered. But I don’t think the emerging writer, the person without any credits to their name, are they more empowered? Not necessarily. But there are lots more options and paths for them if they educate themselves.

“But in that first book contract, if they choose traditional, it’s hard. It’s as hard as it’s ever been.”

So, three articles, lots of opinion, some facts—just like Life-in-General—Some Good, Some Bad, Educate Yourself………
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Grab A Free Novel…
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