Writer’s Voice is one of those terms that seems to change its meaning depending on who’s talking about it—almost as if “Writer’s Voice” were capable of sensing who’s writing about it and letting that author’s Voice decide what “Writer’s Voice” means…
For me, writer’s voice is “simply” the way one puts the words down.
If an author stays rigidly within a genre, the way they put words down is constrained by their experience within the genre.
And, speaking of genre, the previous post, What Is A Genre & Should You Try To Write In One?, is where I add my writer’s voice to the discussion…
If a particular writer has a work classified as science fiction yet reading it feels substantially different than most sci-fi you’ve read, the book was either put in the wrong genre classification or, even though it could be fairly called sci-fi, the author’s voice is unique enough to raise the work above hackneyed-genre.
So, what does poetry have to do with helping a writer find their voice?
Well, The Atlantic recently published an article by Dorothea Lasky called What Poetry Teaches Us About the Power of Persuasion.
To me, an author’s voice is the main thrust behind their power to persuade—persuade in a forceful voice or one which woos or perhaps a deceiving voice that misinforms to persuade away from…
Then, there’s Ms. Lasky’s subtitle-sentences:
“Logic and grammar are important. But for students to truly own the English language, they need to read and write poems.”
Certainly seems owning language would improve voice, eh?
Let me share a few more excerpts from the article in an attempt to persuade you to follow its link:
“…if someone is telling you that there is a set and finite way to construct a sentence—and you’re a poet—you will naturally get a little annoyed. And you will be justified in feeling this way, because it’s simply not true.”
“I have found that all students can write. And one of the surest ways to awaken their love for language is poetry.”
“A lot of people argue that poetry is ‘difficult’ or that it has no real value for childrens’ future. That’s just not true. If you think poetry isn’t important to your students, you are not listening to them. You are not noticing the headphones in their ears, blasting poetry to soothe their walk to class. You are not thinking of them in their rooms at night, writing down their experiences. It may be that you are defining poetry too dogmatically.”
“…in a poem, a student not only has the freedom to express a new idea, but to do so in novel language he or she has just created. More so than any other type of writing, a poem takes into account the indispensable dimension of well-chosen words.”
“A poem is not just a place to present a student’s grammatical knowledge (in fact, it is often the space to subvert it!). Poetry, more than any other form of writing, trains students to take into account the style of language.”
Yes, Ms. Lasky is talking about students, because she’s a poet and a teacher; but, any author who stops learning is an author that just might lose their voice…
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